Mospeada and Robotech: New Generation Character Comparison

I have been absent from blogging for awhile. I hope to catch up. I’ve been quite busy lately with switching from working at a cubicle monkey job to a retail grocery chain job. I haven’t had much time to write but I have been watching more episodes of Mospeada, and yes I intend to finish reviews and comparisons of the rest of Southern Cross episodes a well.

I thought I would veer a bit from the path of chronological episode reviews to a bit of character comparisons from Robotech to Mospeada. So far the most striking difference in the Mospeada cast between the Robotech adaptation’s New Generation is Annie or Mint. I have noticed her dialogue is a bit more of a flirt and boy crazy obsessed pre-teen in the Japanese Mospeada series than Robotech. I find this another one of Robotech’s improvements on the characters of the Japanese series’. For instance some parts would not come across as easily and would be maybe a bit innapropriate for American audiences. As in the scene where Annie lifts her shirt to prove she is not that young. This would definitely be odd for western audiences, except maybe the French. However, that is more of a cultural difference than an improvement but I have found some reasons that our Robotech Annie is more interesting than Mint in the Mospeada series.

Since I am usually not a huge fan of the comic relief convention in cartoons though Shnarf of the Thundercats was an enjoyable character. Usually the addition of a new younger and funnier character is thought to be the “Jumping the Shark” point of many Television serials. However as in all the New Generation and Mospeada characters there was an internal struggle of real human emotion. Emotions like resentment, self-doubt, loneliness and mourning are rather absent from most animated shows, when they are dealt with they tend to be a bit contrived.

However I can see more realism and struggle with Annie’s character. In either series she is a runaway a bit of a vagabond and is quick to wear her heart on her sleeve. However in Mospeada her flirtations seems to be overdone leaving her character a bit more simplified. In Robotech she has a lot of lines that I think where acted quite well, as when Lunk asks her do you want to walk instead of drive while the rest of the group flies she responds “YOu gotta be nuts!?” it’s a simple line but it gets me all the time.

Another moment that I think Robotech seized in creating a magical kind of sad irony with utilizing Ulpio Minucci’s music is the 2nd episode the New Generation: “The Lost City” where Annie is introduced. As the scene opens we see Annie and her boyfriend as he is dumping her to move out of town, we hear the love theme with the glissando violins playing a Robotech love theme most fans are familiar with . It has a mournful sweet yet introspective theme in a classic Italian Romantic fashion which draws a stark contrast to the humorous dialogue and actions on the screen with Annie’s childlike balling and tugging on her boyfriend to stay. This bittersweet and tragic contrast gives us a perspective of  childhood’s end and adolescent love and loss amidst a war to society. Though we can all relate to the right of passage through lost love and the broken hearts of adolescence, the narration and plot reminds of how it must be like for one to grow up with the standard travails of youth and coming of age all the while war, death and destruction are surmounted on these lives.


Southern Cross episode 9: Stardust

With Robotech’s version I always had mixed feelings about this episode. It feels a bit awkward, the character of George Sullivan, seemed a bit contrived or not drawn out long enough feel he was a real character that had depth or authenticity. The voice acting was a bit odd and almost lifeless in Robotech for this character. However the song in the Robotech version sort of grew on me. But this is about the original Super Dimension Cavalry version wasn’t it. He seems even more awkward in this one and his being a technical officer just didn’t fit in as well. In the Southern Cross of Robotech the GMP had reputation for  being a large bureaucracy. So, in Southern Cross original, George Sullivan is a technical officer, which doesn’t really explain much since he is thought by Jeanne to be trying to defeat the  Zor on his own. Yeah like that’s going to happen. Well his song Stardust, is a bit more lounge jazz oriented than the jazz pop-ballad in Robotech, I do prefer the Robotech version. “It’s you”.

A couple of points that this episode was improved on by Robotech script writers. For example when Jeanne is showering she says “so malienne that’s what Stardust was about, well looks like Jeanne won’t get to be a princess after all” talking about herself in the third person she says something like that. But Dana’s line is a lot more humorous and real : “Marlene hmmph! souds like some aging rock singer who wears too much makeup!”. What’s with Robotech and the name Marlene? There are three character of that name in Robotech.  Another issue with the direct translation in japanese shows is some things just don’t sound good being word for word translations. I know I’ve said this before. But Charles has another awkward statement I think it was Andresjz asks his condition during the batlle , and his response is “good, but what is good if you’re not dead”.

Basically, this was a pretty dull episode in both versions. Southern Cross episodes have been in some ways surprisingly identical to Robotech almost entirely. The alien leader’s Triumvirate or the three elder Masters have I think much more believable dialogue in Robotech. In the english remake the Robotech Master’s triplicate nature is voiced well the actors sound ominous, detached from emotion and to be working on nearly the same brainwaves, as seemingly finishing each others’  thoughts. They seem to be Speaking in almost stream of consciousness and calculated computer like processing of data, risks, estimations and statistical analysis of situations. The Master’s show relatively no emotion but have an ominous quality of self awareness of their  superiority and occasionally diminutive tone to the other clones and humans. As in when they are asked by a subordinate trio of masters if Zor’s implant will be detected by humans and they hastily retort “the humans’ primitive instruments do not have the ability to detect our device, the idea is preposterous”. That line always made me feel the ominous power and grand sense of superiority the Robotech Masters felt  about their entitlement to Earth and destruction humankind if we got in their way of retrieving their protoculture. Despite their claim that they have no intention of harming earth’s inhabitants, and only are trying to reclaim they’re protoculture, they seem hostile.  As their supply of it dwindles and their parasitic adversary, the amorphous race of the Invid approach, they seem more ready to eliminate any earth forces who intend to usurp the reclamation of their precious resource.

Another thing I have noticed that I really enjoy though it is odd at times, in Southern Cross, is that the music at times feels to not go with the scene. Still, it  somehow creates a nice contrast. At times the music is whimsical or light in nature yet the scene maybe be a serious one dealing with death, as in this episode when George Sullivan is taken by the Bioroid into the sky only to be blown up by an army member, there is more of the tropical, jazzy rock fusion playing. At times the music has a very strange kind of bell synthesized sound that has some kind of bright chime like effect it has a dissonant harmony going on, it is kind of unnerving yet attention grabbing. At times, I see in some scenes The Southern Cross music really works and does sound a bit alien like. Though, I still prefer the Robotech’s musical backdrop . In the Japanese original Southern Cross, I do really enjoy the episode preview at the end of each episode narrated by Jeanne’s voice actor.  There is always a”cute” line she says at the very end. I almost wish they did this in Robotech’s version since Dana’s voice to me was so fitting her character.

Half Moon and Trouble City

Today was another stressful day, trying to catch up with all the money I owe and trying to see if I can possibly get some kind of student loan, even though I have had to forgo finishing college to work full time and being out of a job at the time is starting to really take it’s toll on me. I was however able to escape and enjoy a few episodes of Southern Cross.

Today I watched Half Moon and Trouble City.

I am really beginning to enjoy the intro music: “Deja Vu” is becoming a really decent rival to Genesis Climber Mospeada’s awesome intro. The other counterpart to Robotech’s Japanese original series, Mospeada being the third and Southern Cross the second.

Since I have never seen the Southern Cross original it has been a totally new experience to see the characters I grew to love as a kid from the Robotech : the Masters series in a whole new light with new music and slightly different take on their story.

One difference that really stands out is the music for  Southern Cross being very different from Robotech’s mostly orchestral and a few synthesized ethereal backdrops by Ulpio Minucci, Robotech’s theme music composer. Southern cross has a funk/jazz rock fusion and an occasional pop ballad thrown in as well as some more lighthearted whimsical tunes that really seem a bit odd yet enjoyable. The credits or outro music  again, I am really getting to like the more I hear it, as am I enjoying the intro and outro animation. On to the episode Half Moon really has some serious pressure on Jeanne as in Robotech she has  a sense of guilt after having to leave Bowie to be captured by the Aliens. In the Southern Cross edition however she has I would think even more pressure seeing that her Chief of Staff Emerson is the actual father of Bowie not just his Guardian. The dialogue is a bit formal and rigid in this episode compared to Robotech, it lends itself more to the formal and polite culture of Japan, also the weight of decisions by officers and leaders seems to carry more shame with failure or mistakes and responsibility.  Jeanne has to make some serious decisions however she has a lighthearted and confident outlook in this episode as compared to the space mission of episode 3 which I didn’t review yet. The battle scene is played out decently very minor edits were made for the Robotech Half-Moon episode. It was not too slow of an episode and showcased some decent battle scenes. However in the Robotech version of this episode the scene where Dana finally rescues Bowie and thinks for a second of how much trouble she may be in always seemed a little awkward. However in Southern Cross, it is a bit more explained as when the animation goes to a still frame with some speed lines and a close up of Jeanne/Dana’s face and I can’t imagine why she would assume she would be in trouble or thrown in the brig for, yes ,breaking the rules and engaging the enemy under the guise of a training mission, but rescuing her commander’s son, would be an obvious save of face. However, in the Southern Cross her look of disbelief and the dramatic pause was done to emphasize her shock on how Zor/the red Bioroid’s pilot is still alive after taking damage to the head of the Bioroid. It made a little more sense.

Trouble City had a few more lighthearted moments however it’s Robotech counterpart had a few more edits that were minor there is a little bit more to the scene of examining the captured Bioroid. Still, the scientists are able to find somewhat the same insight into the Zor. They are able to understand that the aliens are using bio-engineered technology and that the aliens are essentially the same as humans on earth. They have the same misconceptions as in Robotech they throw around the same phrases of androids etc. However Chief of Staff Emerson in Southern Cross does have a more logical assumption instead of saying ‘no humans are capable of creating Robotech ships’ as in Robotechs version here when the possibility of space pirates is brought up, he assumes no humans have this kind of technology. That dialogue is a little more logical since human’s were reverse engineering and integrating robotechnology for years up to that point.

This episode is a bit lackluster in both versions with the trench run scene being a bit predictable. We get to see a few Bioroids blasted by HMT-1 Hoveretanks/Spartas. The energy weapons or particle rifles seem to have some serious damage on the bioroids, I think Robotech edited maybe a few quick bits here and there from this battle, not sure I would have to go back and see. But we do get too see some of the Bioroids taking heavy and fatal damage to their armor and fuel spilling out as cables are torn of the armor by the Spartas auto fire There are some more brief moments where we get to see the Tactical Airforce piloting phantom fighters against the the Zor’s Battleship.

however there is a funny scene at the end that puts a lighthearted girlish moment that is somewhat endearing to the female characters of Lana/Nova Marie Angel/Marie Crystal and Dana/Jeanne the episode begins with Dana/Jeanne shopping for a dress and after all the action is over she is finally able to purchase it much to the annoyance of Lana and Marie who seem to have a bit of feminine rivalry . In the Southern Cross version there is a bit more humor in the instance where Bowie enters the woman’s clothing store and is quite embarrassed when picking up a few items by mistake namely some girlish undergarments. It is reminiscent of the Macross Saga or the previous Robotech season where Rick Hunter is dragged into the dress store with Minmei only to be embarrassed seeing superior officers Lisa , Vanessa and Sammie from the SDF-1 in the store as he is crawling on the floor looking for something he dropped he is either worried about being mistaken for a voyeur or is just as embarrassed as Bowie. This scene has a cute yet not incredibly important moment which was omitted from Robotech , in Southern Cross Jeanne tears her dress while leaving on the Hover Bike much to the amusement o Lana and Marie. I have always enjoyed the last bit here where I think in the only instance of all three of the series of Robotech or it’s un-related foreign counterparts that characters face the camera and do some kind of sarcastic or intentionally zany wink. It is another funny yet unnecessary moment that lightens up the series and endears us to the female characters who have a feminine girlish side to their otherwise warrior/military duties and persona.